{"id":834,"date":"2024-07-29T11:06:24","date_gmt":"2024-07-29T11:06:24","guid":{"rendered":"https:\/\/prova.ateneaquartet.com\/member\/gil-sisquella-oncins-violin\/"},"modified":"2026-02-02T00:16:29","modified_gmt":"2026-02-02T00:16:29","slug":"gil-sisquella-oncins-violin","status":"publish","type":"member","link":"https:\/\/prova.ateneaquartet.com\/ca\/member\/gil-sisquella-oncins-violin\/","title":{"rendered":"Gil Sisquella Oncins &#8211; Violin"},"content":{"rendered":"\n<p>A founding member of the Atenea Quartet, his chamber music activities have taken him to perform at venues such as L\u2019Auditori de Barcelona (2022 String Quartet Biennial), the Resonanzen Sils Kulturfest (Switzerland), Musikdorf Ernen (Switzerland), the Schubert\u00edada de Vilabertran, the Philharmonie de Paris (Showcase), the Palau de la M\u00fasica Catalana (Primer Palau), and the Wissembourg Festival. Gil has also participated in the Salzburg Festival, collaborating with Patricia Kopatchinskaja and members of the Camerata Bern in the \u201cDies Irae\u201d project.<\/p>\n\n\n\n<p>Since 2021, he has been regularly invited to the Haydn Philharmonie, sharing the stage with musicians such as Enrico Onofri, Nicolas Altstaedt, Barnab\u00e1s Kelemen, Fazil Say, and Julian Rachlin at festivals like the Bremen Musikfest and the Herbstgold Festival in Eisenstadt (Austria), among others.<\/p>\n\n\n\n<p>Born in Barcelona in 1999, he studied with Eva Graubin, Vlad Stanculeasa, the Cuarteto Casals, and Meesun Hong Coleman. He is currently beginning his master\u2019s in performance at the Musik Akademie Basel under professors Rainer Schmidt and Barbara Doll.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-small-font-size\">Gil desenvolupa una activitat professional com a m\u00fasic, centrada principalment en la interpretaci\u00f3 i la m\u00fasica de cambra. La seva activitat inclou la preparaci\u00f3 i interpretaci\u00f3 de concerts, el treball art\u00edstic i t\u00e8cnic del repertori camer\u00edstic i orquestral i la seva difusi\u00f3 a trav\u00e9s de concerts i projectes musicals, contribuint a la qualitat art\u00edstica, la professionalitzaci\u00f3 del sector cultural i l\u2019acc\u00e9s del p\u00fablic a la m\u00fasica cl\u00e0ssica.<\/p>\n\n\n\n<p class=\"has-small-font-size\">Aquesta actuaci\u00f3 est\u00e0 impulsada i subvencionada pel Departament d\u2019Empresa i Treball i cofinan\u00e7ada per la Uni\u00f3 Europea mitjan\u00e7ant el Fons Social Europeu Plus.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"579\" height=\"118\" src=\"https:\/\/prova.ateneaquartet.com\/wp-content\/uploads\/2024\/07\/IMG_2833.jpeg\" alt=\"\" class=\"wp-image-949\" style=\"width:130px\" srcset=\"https:\/\/prova.ateneaquartet.com\/wp-content\/uploads\/2024\/07\/IMG_2833.jpeg 579w, https:\/\/prova.ateneaquartet.com\/wp-content\/uploads\/2024\/07\/IMG_2833-300x61.jpeg 300w\" sizes=\"auto, (max-width: 579px) 100vw, 579px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"502\" height=\"118\" src=\"https:\/\/prova.ateneaquartet.com\/wp-content\/uploads\/2024\/07\/IMG_2835.jpeg\" alt=\"\" class=\"wp-image-953\" style=\"width:130px\" srcset=\"https:\/\/prova.ateneaquartet.com\/wp-content\/uploads\/2024\/07\/IMG_2835.jpeg 502w, https:\/\/prova.ateneaquartet.com\/wp-content\/uploads\/2024\/07\/IMG_2835-300x71.jpeg 300w\" sizes=\"auto, (max-width: 502px) 100vw, 502px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A founding member of the Atenea Quartet, his chamber music activities have taken him to perform at venues such as L\u2019Auditori de Barcelona (2022 String Quartet Biennial), the Resonanzen Sils Kulturfest (Switzerland), Musikdorf Ernen (Switzerland), the Schubert\u00edada de Vilabertran, the Philharmonie de Paris (Showcase), the Palau de la M\u00fasica Catalana (Primer Palau), and the Wissembourg [&hellip;]<\/p>\n","protected":false},"featured_media":416,"menu_order":1,"template":"","class_list":["post-834","member","type-member","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/prova.ateneaquartet.com\/ca\/wp-json\/wp\/v2\/member\/834","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/prova.ateneaquartet.com\/ca\/wp-json\/wp\/v2\/member"}],"about":[{"href":"https:\/\/prova.ateneaquartet.com\/ca\/wp-json\/wp\/v2\/types\/member"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/prova.ateneaquartet.com\/ca\/wp-json\/wp\/v2\/media\/416"}],"wp:attachment":[{"href":"https:\/\/prova.ateneaquartet.com\/ca\/wp-json\/wp\/v2\/media?parent=834"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}